sadfreezingbrit_archive: (plagued by doubts)
[ And then this happened and Philip was back in his body. Just like that. Just... like that.

Not that the time off was a breeze, oh no. The things he said to some people, the things Clarence did, but... there are the things he didn't do. The things he could've done so easily and yet--

And yet Philip is back in his body and nobody is hurt. Nobody is dead.

But the conclusions he's supposed to draw from this...

He takes a sip of whiskey. His first empty bottle now and quite likely not his last. That's how everyone will find him during the day: Sitting in the kitchen. Sipping on glass after glass, trying to make sense of what the hell happened in those past five days.

...Only later in the afternoon has he finally made his mind up about some things, leading to the following three audio transmissions:
]

[PRIVATE AND LOCKED TO DEAN]

..... )

[PRIVATE AND LOCKED TO SANTANA]

..... )

[PRIVATE AND LOCKED TO BEISTE]

..... )

[[OOC: Slightly pre-dated to early afternoon on the 10th]]
sadfreezingbrit_archive: (not as heavy as it looks)
[ THE STORY ] )

[ ...And then it's four days later and Philip seems perfectly fine. Well. "Philip" does at any rate. He still looks a bit gaunt, but that's nothing another night's sleep, a healthy meal and some more water won't fix. ]

[ LOCKED FROM EVELYN ]

[ Right now he's enjoying a good book and a cup of tea in the library, but most of all he's really, really enjoying himself right now. ]

So which side won, anyway? [ He laughs. ] Because I'd, er... really hate to have died if nobody even kept score.

[ He raises his cup and toasts into the camera. ]

[ PRIVATE TO EVELYN ]

[ And now? Time to turn that smile upside down. He ends the transmission and takes a deep breath, making sure to leave no trace of cheer when he makes the next call: ]

Evie, um... remember the next- the dinner and the movie we talked about? And then we didn't get to it, because-- Anyway, I... I thought if you're... if you've got time this evening, I'd... I'd love to catch up.


[[OOC: Oh look, it's an early Christmas present: A Clarence! Long story short, Philip felt miserable and the virus took over. Feel free to talk to him or even approach him, he won't actually bite or stab or otherwise maim. This time. Probably.]]
sadfreezingbrit_archive: (too far away...)
[ First Philip met up with Dean. Then unhappy memories were created.

And now the adrenaline wears off and Philip wonders if there was a point to his escape to begin with.

He remembers when Clarence of all people reminds him that he meant to warn "the love of his life... oh yeah, and Evie too".

And so he reaches for the communication device, hoping that Dean doesn't lurk around the next corner to hear... not before his message is sent.
]

Evie, listen, I was wrong about Dean, he won't help he's one of them just stay away, don't....

[ Then his train of thought breaks and he forgets to dial the second number, unaware that his private audio turned into a public video (the image of which is, granted, mostly obscured by dark red smudges on the screen).

Having done his duty he leans back against the cold stone. Just a minute to catch his breath. Just a minute... to rest and... and then he'll get up... again... probably.
]

[[ OOC: Backdated to the event's first day. Philip is still alive and up for a friendly chat, but unfortunately he already has a date with Santana which he just can't miss, so action is only an option for those who have no intention of helping or killing him.

All threads take place before his encounter with Santana, unless you want to find his body and use it as a decorative wall element.
]]
sadfreezingbrit_archive: (what happens when you realise)
[ It's been almost a week since ex-mafia!Philip had a very unfortunate event run-in with still-mafia!Dean. The result? His previous Wonderland lives are still intact, but he's down one eye and his arm isn't doing so well either. And that's the understatement of the day.

So. It's been almost a week. Hardly enough time to heal all wounds (or any of them for that matter), but time enough for Philip to get over the worst and out of his room. Or try to, in any case.

Right now (now being 11 in the morning) he's standing in the kitchen, arduously slaving over his attempt at late breakfast. The injury to his right shoulder is difficult to hide, what with his arm in a sling. But at least his left eye (or lack thereof) is cleverly concealed behind a pair of sunglasses.

To reiterate: Kitchen. Breakfast. 11 o'clock. Right arm in sling. Ridiculous Fashionable sunglasses. Shattered glass.

...Shattered glass?
]

Jesus, not again.

[ Stepping aside Philip looks at the mess. After six days improvements are coming along at last, but missteps (or misgrabs, as it were) still happen all too often. Oh depth perception, he never knew how much he loved you until you were gone.

And yet the milk keeps dripping on the floor; cold, cruel and undeterred by his struggles and frustrations.

To continue: Paper towels. Broom. Scoop. New try. Deep sigh.
]
sadfreezingbrit_archive: (it contained a book)
[ Hello, mansion!

How do you feel about an accidental audio transmission featuring this song played on the guitar over and over and over and over again in various qualities ranging from sort-of-okay-ish over mediocre to physically painful?

I hope your answer is 'highly enthused', otherwise Philip's new hobby might not be as entertaining to you as it currently is to him.
]
sadfreezingbrit_archive: (plagued by doubts)
[ This looks like it's going to be a very boring video feed. An empty (though hardly unfurnished, mind!) room with an open window, its only exciting feature being the set of drapes only somebody more familiar with Philip's room would recognise as new.

Sure, there's a life-sized mannequin sitting on the bed while holding a potted plant in its hands, but--

Wait. Back up.

Life-sized mannequin. Female. Brown skirt, beige blouse. Dark brown hair in a French braid (It used to be much lighter and greying, but for its owner that simply wouldn't do. There is never anything wrong with looking your best). It looks old for your average display dummy, but early 60s are hard to mimic in plastic.

And then the strange still life takes a turn for the really strange when the mannequin gets up and carefully places the potted plant on a desk. Then it turns around and stiffly walks towards the closet, opening it with jagged movements.

It drags another, bigger plant out into the open and slowly begins moving it to the other side of the room.

As it does this the feed scrambles a little and is briefly interrupted by what looks like a man sitting at a kitchen table with his head in his hands.
]

--still up there.

[ Then the semi-static ceases and both video and audio return to the silence of the room where the mannequin woman is now sitting on a chair, checking her watch impatiently. ]

[[OOC: So just to clarify, Philip is sitting in the kitchen and will probably respond to audio or video with his personal communicator, though you're welcome to "talk" to the mannequin in his room as well or go for a kitchen action tag.]]

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